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Get an insight into hotly discussed issues in theatre and dance and hear from some of the inspiring people we work with – plus our latest opportunities

Making a new future at the Holland Festival

| by Lyn Gardner

Major theatremakers are speaking directly to how we live now. In the third of Lyn Gardner's dispatches from the Holland Festival, she encounters Dries Verhoeven's political fairground ride, Vincent Macaigne's ugly-beauitful dream, Derrick Ryan Claude Mitchell's riff on madness and Ivo van Hove's dissection of obsession

"We need to keep the traffic between the UK and Europe"

| by Lyn Gardner

The UK outdoor arts scene has welcomed European artists with open arms. Lyn Gardner visits the Greenwich and Docklands International Festival, reporting on ambitious new productions from the UK, Belgium and the Netherlands, and talking to Artistic Director Bradley Hemmings about his hopes for the future

"There's an awful lot of British theatre I couldn't programme"

| by Lyn Gardner

Continuing her Culture after Brexit series, Lyn Gardner speaks to Ruth Mackenzie, Artistic Director of the Holland Festival, about taking risks, working with communities and discovering differences between working in Britain and the Netherlands

What does theatre have to say about democracy?

| by Lyn Gardner

In a new series for Culture after Brexit, Lyn Gardner embarks on a journey to explore the dynamics of theatre in the UK and EU. First, she visits this year's Holland Festival to investigate performances from the UK, Netherlands and Germany that feature topical debate, satirical manifestos – and Cate Blanchett

Imagined performances and possible futures

| by Andy Field

Techno-fantasy, ecological terrors and political satire. Forest Fringe’s Andy Field takes us through Imagine 2037, our festival of imagined performances on a hilltop in Edinburgh 20 years from now – which launches on 19 August in Edinburgh and online

The pros and cons of being an emerging artist

| by Eleanor Turney

Do new artists get more opportunities, or are they at risk of being exploited? Should the performing arts industry find more ways to nurture talent? As Incoming Festival kicks off, Eleanor Turney explores the scene for emerging artists in the UK

What does punk mean to today’s young theatre makers?

| by Hannah Nicklin

Is punk relevant for UK performance makers in their 20s and 30s? How does this generation view DIY practices and their relationship to technology, race and class? In the second of our two features on punk and performance, Hannah Nicklin speaks to Rachael Clerke and Selina Thompson – both of whom appear at In Between Time 2017 – and to genre-fluid performers Action Hero


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