The ripple effect
Taking Parkour to Qatar might be a slow process, writes Alister McLoughlin, but don't underestimate the importance of the ripple effect
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Taking Parkour to Qatar might be a slow process, writes Alister McLoughlin, but don't underestimate the importance of the ripple effect
Volodymyr Sheyko reflects on September's Unlimited Festival
Richard Warburton from Invisible Flock describes taking Bring The Happy to Georgia.
Akram Khan's piece, DESH, travels to Bangladesh for the first time
Nicola Rayner talks to Hakeem Onibudo of Impact Dance, who has been working with ten b-boys from Morocco, Algeria, Libya and Tunisia
As part of Unlimited Festival, Alistair Spalding and Jane Hackett from Sadler's Wells participated in a Q&A about their Equal Dance programme. Eleanor Turney reports.
Jo Verrent reflects on how things have changed for disabled artists since 2012, and looks ahead to next week's Unlimited Festival at Southbank Centre
Director Ramin Gray talks about working with Iranian writer Nassim Soleimanpour on his new piece, Blind Hamlet
Daniel Bye reveals the popularity of musicals in the Philippines after his week long visit
Gregory Thompson talks from Pakistan about directing an Urdu version of The Winter’s Tale