Blog

Get an insight into hotly discussed issues in theatre and dance and hear from some of the inspiring people we work with – plus our latest opportunities

Collaboration not appropriation

| by Avatâra Ayuso

Extreme conditions, climate change, and colonialist perspectives. Dance artist Avatâra Ayuso travelled to Nunavut, Canada, with the Artists' International Development Fund to meet female Inuit artists, and challenge Eurocentric perspectives

Don’t be afraid to collaborate

What makes two artists click? How can you avoid problems when you start a new relationship? Unlimited 2018 artists share their experiences of working in collaboration

A new kind of vogue comes to the Unlimited festival

| by Harriet Guest

The first ever vogue house of d/Deaf and disabled dancers pushes creative boundaries and fuses sign language into their choreography. Watch a trailer about the creation of The Unlimited House of Krip ahead of Unlimited 2018

How can we avoid stereotyping disabled artists?

| by Nina Mühlemann

Support for arts and disability has increased over the past few years. But do programmers have unconscious prejudices? Nina Mühlemann speaks to Unlimited 2018 artists and producers – and shares some advice

Top 10 tips for touring internationally

| by Andrew Jones

Build trust, challenge your assumptions and embrace new experiences. As the Edinburgh Festivals kick off, the British Council’s very own Andrew Jones shares some expert advice for performing arts companies seeking international opportunities

"Shared stories keep us together"

| by Lyn Gardner

Will artists from the UK and EU still work together after Brexit? Nocturne, part of LIFT 2018, was created by the UK’s Andy Field and Latvia’s Krista Burāne. They speak to Lyn Gardner about collaboration, nature and public space in our latest Culture after Brexit blog

An Indian playwright's view of UK theatre

| by Anupama Chandrasekhar

What are theatre's superpowers? Anupama Chandrasekhar, the first international Writer in Residence at the National Theatre, talks about taking risks, losing inspiration, and her impressions of British theatre


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