Open call: International Radio Playwriting Competition 2023
Are you a promising writer living outside the UK? You're invited to submit your scripts for the 28th International Radio Playwriting Competition
Get an insight into hotly discussed issues in theatre and dance and hear from some of the inspiring people we work with – plus our latest opportunities
Are you a promising writer living outside the UK? You're invited to submit your scripts for the 28th International Radio Playwriting Competition
Theatre criticism is shrinking even as it evolves into newfound spaces and has exploded onto the web. Verity Healey looks at the current state of theatre criticism, talking to freelancers and establishment voices alike to see what must change
What are theatre's superpowers? Anupama Chandrasekhar, the first international Writer in Residence at the National Theatre, talks about taking risks, losing inspiration, and her impressions of British theatre
How can you bring indigenous communities into mainstream Australian performing arts? Ibijerri Theatre’s Kamarra Bell-Wykes reflects on the importance of creating new opportunities, building an education programme, and how the UK arts scene compares to Australia
This autumn sees new plays by writers from Chile, Syria and Ukraine at the Royal Court. Eleanor Turney explores the theatre’s workshop programmes around the world, which have had a profound influence on international and UK artists alike
Dystopias, rituals, flooding and drones. For Imagine 2037, we commissioned eight artists who are migrants, living all over the world, to write about an imaginary performance in 20 years' time. Check out what they created...
Techno-fantasy, ecological terrors and political satire. Forest Fringe’s Andy Field takes us through Imagine 2037, our festival of imagined performances on a hilltop in Edinburgh 20 years from now – which launches on 19 August in Edinburgh and online
While the mainstream press cuts arts coverage – including Lyn Gardner’s influential blog at The Guardian – theatre writing is thriving in specialist publications and online. Yet bloggers are often at the bottom of the hierarchy. Alice Saville of Exeunt argues that we must find new ways to back the next generation of theatre writers
Marion Nancarrow tells Eleanor Turney about how the International Radio Playwriting Competition has changed lives
The International Radio Playwriting Competition is open for entries for the 25th time. Judge Neil Webb, Director Theatre and Dance at the British Council, tells us what he’s hoping for.